Yesterday, on the first day of the year, my 10-year-old son, Alexander, asked me to tell him my New Year’s resolution. That he posed this question at about 8 a.m. while I was trying to grab a few more moments of a midwinter’s nap after a festive “eve” the night before was only slightly bothersome. His innocence and optimism in the power of a simple turn of the calendar’s page to a new month (and year) was endearing nonetheless.

I didn’t hesitate, but immediately told Alex: my resolution this year is to grow a garden.

It has been 16 months since we’ve been uprooted from our beloved Seattle garden (and home) and suddenly transplanted to Zone 10, Ventura County. We’re living not far off of a freeway exit, half-way between Los Angeles and Santa Barbara. Like the results of a 4-inch perennial that’s been quickly planted in unprepped soil, we’ve experienced some “transplant shock,” so to speak.

Now is the time to begin transitioning from newcomers to neighbors. The change has begun, from discovering the local farmer’s market (thanks to my kind and generous neighbor, Alisa), to attending monthly Southern California Horticultural Society meetings where fellow plant-lovers welcome and include me, to hitting the road touring gardens, nurseries and other horticultural destinations with my Garden Writer pals like Nan, Joan and Paula. There is much here to admire, learn, embrace and even emulate in our suburban backyard.

So the process is underway. It requires a resolution of faith and optimism in order to put aside the “cherished familiar” and begin to look intentionally at the unfamiliar as my own new canvas. It begins with learning how plants grow and survive here in Southern California. Already our yard has begun its return to health because we cancelled the mow-and-blow-and-fertilize service the day we moved in. New layers of organic compost are continuing the process.

Lathyrus odoratus, Early Multiflora Blend and Bouquet Blend

I’m waiting for sweet peas that I planted six weeks ago to bloom and share their perfume (the seedlings are about 8-inches tall and promise to perform once the temperatures warm up).  I’ve ordered way too many seeds and started to lay out the planting beds. 

New Year, New Garden. It’s a hopeful time.

Wow, I’m honored to report that Arthur Lee Jacobson, the tree guru himself, has paid a very high compliment to the late Stephanie Feeney and me for the Northwest Gardeners’ Resource Directory (9th ed.). This book is the “yellow pages” for gardeners in Oregon, Washington and British Columbia that Stephanie started in the 1990s and grew as a self-published reference through eight wonderful editions. We lost Stephanie in 2000, a premature death due to cancer at age 52. Before she died, Stephanie and her husband Larry Feeney sold NWGRD to Seattle-based Sasquatch Books. And thanks to some gentle nudging from Stephanie, Sasquatch editorial director Gary Luke asked me to revised and edit the ninth edition. This was my “first” chance at writing and editing a garden book, published in 2002. I am eternally grateful to my friend Stephanie for believing in me.

Arthur Lee’s periodic newsletters are always filled with useful information about his many writing and consulting projects, including his books, Trees of Seattle 2nd edition (2006) and Wild Plants of Greater Seattle (2001), two amazing references for anyone wishing to learn more about the Emerald City’s flora, native and exotic alike. His latest newsletter, out in late November 2007, included this wonderful entry:

“The top dozen from my library of some 325 PLANT book titles, that I would keep if forced to reduce from 30 feet of shelf space to about 2 feet 8 inches . . . assuming copies of books written by myself could be kept” –

Listed among venerable titles like Hortus Third, American Horticultural Society A-Z Encyclopedia of Garden Plants, Sunset Western Garden Book  and Hillier Manual of Trees and Shrubs, Arthur Lee has included our directory as a must-have book on his library shelf:

“Northwest Gardeners’ Resource Directory: All Northwest gardeners will find this helpful, though a new edition would be better.”

I agree! It would be ideal to update the reference book that Stephanie spent more than a decade developing and I spent the better part of a year working on, as I updated tens of thousands of entries. But lots has happened since 2002.

First of all, the Internet has made it easier to find nursery and plant sources, public gardens, horticultural organizations, garden tours, retail emporiums and more. Second, because of the Internet, it seems like a directory like ours would be ideally suited for an online database. So how will that happen? I’m open to ideas. For now, Sasquatch Books isn’t particularly inclined to publish an online directory, as it is still rooted in the world of printed books. My thought is to find someone (or a group of someones) interested in creating a new model - and find a way for that group to run the directory as a nonprofit or for-profit web site.

In the meantime, people wishing to send me updates about changes in the Northwest gardening world are invited to fill out a form on my web site. I try to post these changes, including the opening of new nurseries or other changes, on that section of www.debraprinzing.com.

Stephanie Feeney and Debra in Stephanie’s garden on Lake Whatcom, Bellingham, Wash. [Gary Luke photograph]

It puts a smile on my face (and I know Stephanie is smiling up there, too) to know that our friend Arthur Lee still uses his five-year-old version of the Northwest Gardener’s Resource Directory. If his copy is anything like the one on my desk, it is a bit dog-eared, with post-it notes sticking every which way from important pages, and my notations in the margins about special discoveries while traveling the Northwest’s horticultural highways.

Now that I am trying to learn and discover new sources for plants, gardens and tours, I sure could use a directory like ours in Southern California!

P.S. It isn’t fair to end this post without giving you the complete list of Arthur Lee’s “essential” books. His encyclopedic mind is unparalleled. This list will explain in part why I’m so tickled to see our little local directory included:

1. The Standard Cyclopedia of Horticulture,  6 vol. (1914-1917); New York: MacMillan, by Liberty Hyde Bailey.  “The greatest horticultural title ever produced in America. It utterly shames modern works such as the RHS Dictionary of Gardening. Its completeness, erudition, illustration and layout are all superb.
2. Hortus Third (1976); New York: MacMillan, by Liberty Hyde Bailey, revised by L.H. Hortorium Staff. “A scholarly, concise, enumeration of horticultural plants grown in North America, and their myriad names.”
3. Trees and Shrubs Hardy in the British Isles,  8th ed. (1970-1980), 4 vols; London: John Murray; D. L. Clarke, chief ed. “Comprehensive, learned account of cultivated temperate-zone woody plants. Weak in U.S. cultivars.”
4. American Horticultural Society A-Z Encyclopedia of Garden Plants (1997); New York: DK Publishing, by Christopher Brickell and Judith D. Zuk. “Of the clumsily stout and heavy modern encyclopedic books packed with color photos, I prefer this.”
5. Landscape Plant Problems: A Pictorial Diagnostic Manual,  3rd ed. (2006); Puyallup, WA: Washington State University Cooperative Extension, by Ralph Byther et al. “Color photos of Western Washington common garden plant bugs and diseases. When consulting, I use the photos to show clients. Once one learns the problem’s name, then other sources suggest actions. (You can buy this at South Seattle Community College’s bookstore).”
6. Cornucopia II: A Source Book of Edible Plants,  2nd ed. (1998); Vista, CA: Kampong Publications, by Stephen Facciola. “The most practical and handy book to learn about edibility of plants, and their availability.”
7. Northwest Gardener’s Resource Directory,  9th ed. (2002); Seattle, WA: Sasquatch Press, by Stephanie Feeney (ed. Debra Prinzing). “All Northwest gardeners will find this helpful, though a new edition would be better.”
8. The Plant Locator(R) Western Region (2004); Portland, OR: Black-Eyed Susan Press and Timber Press, by Susan Hill and Susan Narizny. “The quickest way to learn about commercial availability of garden plants. More than 60,000 plants included.”
9. Hillier Manual of Trees and Shrubs,  7th ed. (2002); Newton Abbot, England: David & Charles, John Hillier and Allen Coombes. “Useful one-volume, compact and comprehensive list of cultivated temperate-zone woody plants. Weak in U.S. cultivars.”
10. The Plant Book: A Portable Dictionary of the Vascular Plants,  2nd ed. (1997); Cambridge, England: Cambridge University Press, by D. J. Mabberley. “By far the best one-volume source to look up any plant family of genus. Small, dense and invaluable.”
11. New Flora of the British Isles,  2nd ed. (1997); New York: Cambridge University Press, by Clive Stace. “The best botany book to identify non-native plants growing wild in the Seattle area. Richly complete; over 1,000 pages.”
12. Sunset Western Garden Book,  8th ed. (2007); Menlo Park, CA: Sunset Publishing Corp., Kathy Brenzel, editor. “All western North American gardeners should own this. Every edition gets better.”

Editors at the New Oxford American Dictionary recently announced that “locavore” is their word of the year.

Locavore: someone who eats locally grown food.

Watching this wonderful word move into the mainstream is both gratifying and a little worrisome. Will locavore become a politicized label, like recent research reports concluding that owners of hybrid cars are active, educated and Democrat? Will locavore suffer from overuse, watered down for marketers’ convenience, as “organic” and “all-natural” have been? I hope neither. I hope, like the Slow Food movement, that this word will remain a cherished symbol of grassroots passion about the character (and food) of a specific place on earth. Namely: your own backyard. And for this reason, I maintain that gardeners at their very hearts, are also locavores.

Animal, Vegetable, Miracle, a wonderful new book by Barbara Kingsolver, Stephen L. Hopp and Camille Kingsolver, is the authentic locavore manifesto. In it, megastar novelist Kingsolver and her family document ”a year of food life,” in which they attempted to grow and produce as much of their own food as possible. And when the food doesn’t come from their own small farm in the southern Appalacians, it is supplied by local farmers who use sustainable practices. I received this book as a gift from my dear friend Britt Olson. Reading it this autumn has given me renewed hope in the power of one’s own small patch of soil — and what can be grown there.

As I’m trying to renovate a sterile, suburban backyard so that it can be planted next March, I’m thinking about all the delicious, nourishing vegetables and herbs that it will produce (not to mention seasonal flowers that I can enjoy and use in arrangements). I’ll never reach the status of a 100-percent locavore, but if I can at least grow some of my own food supply, it will be a start. It is a gardener’s obligation, I think, to grow edible as well as ornamental crops.

Cauliflowers from Underwood Family Farms in Somis, CA

The farmer’s market is open this afternoon, and I’m off to buy organic eggs (although one has to arrive at 2 p.m. on the spot in order to get the lovely blue-green Araucana eggs), fingerling potatoes, colorful cauliflowers, and autumn fruit. Perhaps I’m a locavore-wannabe, but it’s sure better than the alternative.

During our many road trips to produce Stylish Sheds and Elegant Hideaways, I

Alex, barefoot at the beach

“We have snow in Seattle!” my friend Robyn exclaimed, her voice coming through my cellphone headset.

It was in the low-70s. I was driving home, south on Highway 101 with the Pacific Ocean and the afternoon sun over my right shoulder. It was December first.

Life is certainly a study in contrasts. While my heart is constantly in the Pacific Northwest, and while I can just picture the beautiful fluffy snow landing ever so gently on the railings surrounding Robyn’s decks, the reality is: I’m here. And this week, I’m enjoying the beginnings of winter, Southern California style.

On Saturday, a road trip was called for. We hopped in the Subaru and headed north, up the Ventura Freeway in the sunshine…(yes, like the song), to Seaside Gardens in Carpinteria.

This is a very cool place. Not only is there an amazing selection of not-so-common landscaping plants here, there is an abundance of design ideas presented in the display gardens. Located just a stone’s throw from Santa Claus Beach, where my son Alex and I stopped on the way home to dip our toes in the sand and saltwater, and watch the kite-surfers, Seaside Gardens is arranged like a small botanical garden.

We were lured by the colorful postcard that arrived in the mail box, inviting us to a holiday open house (complete with hot cider and hors d’oeuvres). Weather report: Intense sun, powerful wind. No potted plant over 2-feet-tall was immune from the swift breezes coming inland from the ocean.

But we had fun nonetheless. Shopped for succulents: we brought home lots of 2-inch pots of echeverias for $2.49 each, plus we snagged four really enticing 4-inch pots of Sedum hispanicum‘Purpureum’ (delicate 1- to 2-inch high groundcover stonecrop that spreads up to 18-inches…unfortunately, I’m afraid the rabbits might like this one, time will tell).

Map depicts the wonderful display areas at Seaside Gardens

We took a breezy tour through the display gardens, spotting plants that caught our eyes and snapping photos to capture the moment. No thoughts of buying a Christmas tree, yet. But planting a sedum wreath, maybe!

Abyssinian banana-tree-hugger!

Surrounded by Cycads

20 Toes…can’t resist!

A nice surprise arrived in my email in-box last week. It was a note from someone who has discovered shedstyle.com: 

Dear Debra, My husband and I are building a potting shed. We have a footprint and general design concept.  What we haven’t been able to find are ideas or samples of interior space allocation.  I’ve preordered Stylish Sheds and Elegant Hideways from Random House but now is the time I most need some of your knowledge/experience.  Is there another source (I’ve also read your internet magazine) that you can direct me?  Is there any information you can provide? I’ve literally been hoping for this building ever since my husband and I bought our home – 27 years ago.  I’d really appreciate your help. Thank you! (signed, MARY) 

Wow, thank you, Mary! She actually pre-ordered Stylish Sheds and Elegant Hideaways! Very exciting news, especially since it won’t be on bookstore shelves until April 29, 2008. Mary’s note prompted me to think about what kind of Shed Design Checklist I would give a nascent shed-builder.  

Here are some general tips: First, of all, remember that there are infinite ideas to play around with. Think carefully about the interiors. So many people build gorgeous pieces of architectural wonder but then leave the shed’s inside ordinary-looking, dusty and filled with cobwebs. Even a functioning potting shed should be beautiful and reflect your own style. 

Pegboard walls and exposed rafters give this shed a barn-like feeling, while a cozy area rug and rocking chair ensure comfort

Treat the interior space allocation as you would design any room of your house. What will you do with the wall? It’s fine to leave the rafters and studs exposed, but can you paint them or mount shelves or hooks for displaying collections? One woman I know lined the walls of her potting shed with pegboard and hung from it all her antique gardening tools.  

Kathy’s potting counter

If you want a work counter or potting bench, consider the dimensions and proportions of the interior counters that feel best to you. Is your kitchen counter the correct height and depth? Do you like it deep enough to allow room for stacks of flowerpots or rows of gardening books to be displayed across the back? Is there storage room underneath?

Some of the most attractive countertops I’ve seen are covered in a sheath of copper or zinc. Kathy Fries, a Seattle gardener who has no fewer than four “shed” structures on her property, bought a salvaged section of classroom cabinets (probably used in a high school wood-shop or science class), complete with countertop and storage bins — voila! The perfect potting bench for her garden house.

Windows: Can you add a valance or lace panels? Can you make sure there’s a nice deep ledge for potted herbs or anything else that makes you happy? Windows should definitely be operable so you can adjust temperatures, create ventilation and — most important — hear the sounds of your garden while inside the shed. Swishing grasses, the whir of a hummingbird, bird-songs and a fountain’s trickling water are essential sounds you wouldn’t want to miss.

Doors: Just as with your home, you want the threshold and portal that lead from the “external world” to your “inner sanctum” to be symbolic of powerful and nurturing emotions: shelter, safety and haven. Don’t settle for an ordinary door from the big-box home center when you can do a little hunting to find something special. A salvaged door, especially one with glass, is a nice choice. You can add color or (as we did in our Seattle garden) allow the elements to continue the peeling process that reveals decades of life.

Floor: Remember this is an outdoor structure. It’s okay if you have a cement floor, but perhaps you should paint it and put a drain in the center so any gardening projects can be easily cleaned up. I’ve visited numerous sheds with wood plank flooring, vinyl tile, terracotta tile, flagstone, wall-to-wall carpeting and the aforementioned concrete. It really depends on the function of the room. 

Space-planning: Even if this is going to be a space for working on gardening projects, designate one wall or corner for R&R; A bench with cushions, a wicker chair and good reading lamp (of course, this means electricity), a desk for your reference books, correspondence or even a small tea party. Again, look to the room-like proportions of your home. One couple we interviewed/photographed for the book built their tea-house on the exact proportions of their dining room because to them, it was a comfortable space. 

On the potting shed in my former Seattle garden, designer Jean Zaputil used salvaged French doors donated by a contractor-neighbor. The weathered mailbox became the perfect planter-box for daffodils and a rose hip wreath hangs on one door

Here are some other questions to ask yourself:

• What activity draw us outdoors? Are you creating art, making music, writing, gardening, arranging flowers, playing with children, stargazing, entertaining friends, seeking solitude or meditating?
• What role will the structure play in the landscape? Is it a design focal point or is it intentionally hidden from view? Will it be a surface or “wall” in the garden for climbing vines or roses? Will you use it as a gallery for hanging objects, mirrors, artifacts? Will it hide or disguise an unsightly view (such as the back of a neighbor’s garage)? Is it for pure function or pure folly…or a little bit of both?
• To create an appropriate shelter or structure to house your activity, take time to address these functional choices: placement (where will you site the structure? how will it be oriented?); size and scale (check your local building codes to determine the maximum size allowed without a construction permit; it is often around 100 square feet); what materials will complement your home’s architecture? what utilities do you need (electricity, water, heat?); and, of course, the fun part: how will you decorate, embellish and adorn the structure?

In her book Hideaways: Cabins, Huts, and Tree House Escapes, French author Sonya Faure explores some of the emotions that the word “hideaway” can conjure. I’d like to share them here:

“The dictionary defines a hideaway as ‘a secluded spot.’. . . There are plenty of synonyms for the word, most of which emphasize its protective function: cover, den, haven, hideout, refuge, retreat, sanctuary, shelter. . . . The noun ‘hut’ and the verb ‘to hide’ share the same Indo-European root - skeu - meaning: to cover or to conceal.”

In the end, your shed should be designed for your private and personal delight. It is the place where you will feel safe, feel free to create and contemplate, and take refuge from the everyday demands of life. “Shed” also is a verb that has several meanings, most of which hint at “letting go” (as in shedding tears, sending forth, losing by a natural process). There’s something very symbolic in that notion as well. We “shed” our burdens, our cares, our sadness or pain, when we can escape into our secret backyard place.

It finally arrived in my mailbox today: the January-February 2008 issue of Fine Gardening (issue No. 119) with the cover line, “Learn the secrets to an Abundant Border.”

The genesis of this article, which is an adaptation of a chapter from The Abundant Garden, a book I created with photographer Barbara J. Denk in 2005 (Cool Springs Press), dates to a lunch I had with Steve Aitken. In July 2005, I was in New York City on a mission to find an agent to represent my next book project. I had rented a car and after one meeting with a potential agent, I drove to Newtown, Connecticut - in the POURING RAIN - where the Taunton Press-Fine Gardening Headquarters is based in a charming little hamlet.

I had planned on lunching with an editor-friend there, but when I arrived, I learned she had recently left Fine Gardening before having a chance to give me a head’s up. My “substitute” lunch date was to be then assistant editor Steve Aitken. I had never before met Steve, but after escorting me through the Taunton cafeteria where we sought refuge from the summer downpour, we sat down to lunch and a really wonderful conversation.

Every author likes to think that people actually READ their words and do not just look at the pictures (I love my photographer-collaborators, but honestly, I do have a bit of an inferiority complex when comparing a block of my prosaic-looking text – 12 pt. black words in Helvetica or some other font on white paper – with full-bleed, four-color, vibrant or subtle images captured through a lens by a gifted visual-artist.)

So Steve made my day. Over lunch, he summarized the entire point of The Abundant Garden, highlighting key design ideas that I had hoped to achieve in the text. He blew me away. I have never had that experience before, knowing that someone read…really READ…the words that I wrote; the words that helped shape the idea of a book; the words that supported and explained Barbara’s glorious images.

From then on, I was a huge Steve Aitken fan. During our lunch meeting, he suggested I adapt some of my ideas in the book into an article for Fine Gardening. At the time, I had written several smaller, one- or two-page articles for the magazine, but never a full feature article, let alone the cover story. It was an idea that pleased me. And I fully intended to follow up on the opportunity he was offering.

Subsequent to our meeting, two cool things happened. First, Fine Gardening included The Abundant Garden on its list of the 10 best garden books for 2005. Second, Steve was promoted to managing editor of the magazine. Oh, I guess there is a third event that took place. In April 2006, we learned that my husband Bruce would accept a position in Southern California. My life turned upside down and I was barely able to follow up on my existing assignments and deadlines, let alone “chase” anything new.

Steve and I didn’t reconnect on the story idea right away. I like to chalk that up to the fact that our respective “plates” were full. But the timing was right when, only a few months after leaving Seattle for SoCal, I received a call from Daryl Beyers, a new FG assistant editor. Daryl told me that Steve + Co. were ready for me to start working on the article. The story focus: Creating an Abundant Border.

We had several back-and-forth discussions about the shape the article would take, ending up with the exciting theme of “breaking rules in the border.” Just out today, the article features several of Barbara Denk’s photos from The Abundant Garden, as well as images from some of my other favorite photographers, including Allan Mandell and Saxon Holt. Other photographs were contributed by Stephanie Fagan, FG’s art director, and Daryl Beyers (who personally shepherded this piece from outline to publication).

Anyone who finds magazine or newspaper publishing a very s-l-o-w and tedious process will read this entry and be perhaps discouraged. How on earth should it take more than 2 years to turn an initial idea into a final article? (Don’t even get me started about the even lengthier book-birthing process!) Well, life gets in the way, timing is everything, and sometimes you just have to wait for all the pieces to fall into place as meant to be. Forcing, pushing, jockeying, chasing….it never really works. It’s a lesson I need to learn again and again. And this experience reminded me of the adage that “things work out for a reason.” Yes, they do.

Finally, please indulge me. Because of limited space (and for perhaps other reasons, such as it was purely a bit of self-indulgent writing in the first place!), the editors cut a final section of my original manuscript from the published article. Its genesis came from my father, Fred Prinzing, so I would like to include it here. You might have to read the published article for this to make sense, but here goes:

Everything Old is New Again

Like most gardeners who have tackled a landscaping challenge, I often think my “solution” to a design problem is original or straight out of my imagination. So when I recently opened “The Book of Perennials,” a gift from my book-hound father, I had to admit that my “new” ideas about layered borders were anything but new! This little red-bound volume, first published in 1923, was written by Alfred C. Hottes, a magazine editor of the day.

 Here’s how he describes a garden border:

“A border may be formal or informal; the plants may be set in definite ribbon-like bands or placed in natural clumps. Generally, the latter method is to be preferred unless we are planning a prim garden of geometric form on a large scale.”

Hmm. Sounds awfully familiar. I was surprised and somewhat humbled to read further. Mr. Hottes had his own opinions about layered borders, not too different from my own:

“Obviously, the tall plants should be at the back of the border, the dwarf edging plants in front and those of medium height tucked in between the two extremes. Nevertheless, this rule should not be followed too strictly; otherwise the result will give a border which will be too monotonous. Allow bold groups of tall plants to come to the front of the border. For the best effects in the Springtime some of the earliest dwarf plants may be planted toward the center to give a mass of color throughout the width of the border.”

Well, I guess we should listen to an expert. Don’t take my word for it. In the 1920s, long before I tried breaking rules in the border, Mr. Hottes encouraged his readers to do just that.

I joined Lili Singer on a tour through Theodore Payne Foundation’s native plant nursery

Thank goodness for friends who will host me when I have an urge to take a plant excursion. On Tuesday, I visited Lili Singer, gardening personality extraordinaire who is a beloved radio and newspaper personality and longtime advisor to Southern California plant-lovers.

Lili has taken on special projects at The Theodore Payne Foundation for Wild Flowers and Native Plants in Sun Valley, Calif., a short drive off of Hwy I-5 , near Burbank Airport. Her pieces appear frequently in the Los Angeles Times Home section, she has a loyal following of students most Thursdays at the LA County Arboretum, and she is a board member of Southern California Horticultural Society. We met in August 05 when I came to LA to give a lecture for SCHS … then, a month later at the Garden Writers annual meeting, I really got to see what type of plant maven she was during the day we cavorted around the private landscapes of Vancouver, BC with a few other intrepid souls.

When I knew I was going to trade my Seattle zip code for a SoCal one, I also realized I would soon live in a state where I had several GWA friends and acquaintances, including Lili.

At the Theodore Payne Foundation, I tried to set aside any thought of my beloved NW garden and all the plants I can no longer grow because I now live in SoCal. Instead, I am looking closely at the amazing native plants available to me. Not really a botanical garden; Theodore Payne is a nonprofit nursery, seed store and bookstore for California native plants. Open to the public, Theodore Payne provides extensive plant information and advice in its nursery sales yard and through classes and public programs. Founded in 1960, the organization sponsors the free “Wildflower Hotline,” which alerts callers to the locations of seasonal wildflowers such as golden poppies and lesser-known but equally dazzling displays that embroider the hills and canyons of California (818-768-3533, March-May).

Outreach and volunteer coordinator Lisa Novick, Lili’s colleague, asserted that California has 6,000 native species to offer me. Wow. That’s something like three times what most states have!

While I lamented all the plants I couldn’t grow anymore, Lisa gently redirected the conversation, telling me that Seattle (and its plants) was like my “first love” to which all subsequent garden Zones will be compared. She observed that I’m still pining for that romance as I evaluate every subsequent suitor (plant, garden) to my original passionate relationship. “They’re never going to be the same; they’re different, and you need to enjoy the beauty of the difference,” she pointed out.

Nursery areas are enclosed in deerproof fencing and netting

I’m trying, okay? It’s hard to get my former lush, green, exuberant environs out of my system. Lili walked me through the Theodore Payne Nursery, a meandering series of paths that are nestled right up into the edges of LaTuna Canyon (this is a 22-acre parcel, complete with Flowerhill, a trail winding through chaparral and seasonal wild flowers). Plant sales areas are divided by category, just like any good nursery (groundcovers, perennials - oh, and “chaparral shrubs,” now that’s a category that Swanson’s Nursery doesn’t carry!).

This is a busy, busy nursery for wild and native plants of California. If you log onto Theodore Payne’s website, you’ll see its extensive plant, bulb and seed list, updated weekly. Many of the plants are propagated on site; others are supplied by reputable growers of California natives.

I zeroed in on a stunning evergreen specimen called Woolly Blue Curls (Trichostema lanatum), which looks like a long-needled rosemary but with the velvety purple-blue flower spikes of a Mexican sage. It’s a hummingbird and bumblebee favorite, according to California Native Plants for the Garden, the lovely reference that my Seattle book group gave me as a going-away gift when I moved. Ah, a new crush! Can’t wait to see how this relationship evolves once I get my very own ‘blue curls’ planted at home.

Bulbs have been very hard to give up with my move south; I’m kind of lost without my fall ritual of scrambling to plant as many tulip, allium, narcissus and grape hyacinth bulbs as time allows - usually in the pouring rain on Thanksgiving, while the turkey is roasting.

A new version of that November bulb ritual might look like this: Deb in t-shirt, capri pants and flip-flops, a small envelope of native bulbs in hand, planting clusters of three pearl-onion-sized bulbs in pots. With names like Firecracker Flower (Dichelostemma ida-maia), Ithuriel’s Spear ‘Queen Fabiola’ selection (Triteleia laxa), and Yellow Mariposa Lily ‘Golden Orb’ (Calochortus), I’m eager to see what delicate beauties arrive next spring.

One caveat with these native bulbs: They do NOT like any water in Summer or Fall. That’s of course when California’s wild areas are dry anyway; but move into the typical suburban backyard where occasional summer water is needed, hmmm. Guess there won’t be room for these bulbs at the front of my perennial beds.

Lili suggests I grow these in pots, at least this first year….that way I can enjoy them next spring when they bloom (photos are promised, here) and when the flowers fade, I can move the pots to the side of the house and let the bulbs stay warm, dry and content.

Warm, dry and content. That’s a noble thought for my own life, too!

A selection of native California plants, happily growing in a potted garden display

A pebble pathway at Lotusland creates a pleasing rhythm

Here is the piece I referenced in my last post. I wrote it in early 2002 for Bud Merrill’s Landscape Design II (LHO125) class at South Seattle Community College.

RHYTHM: Creating a Pattern for the Landscape

Webster’s dictionary defines rhythm as “the patterned, recurring alterations of contrasting elements.”

In design, the term relates to time and movement. According to Marjorie Elliot Bevlin, author of Design through Discovery: The Elements of Design (my college design text), rhythm is a principle that works in concert with two other important principles: Balance and Emphasis.

In design, the dynamic of rhythm creates a visual flow. As a beat is to music, as choreography is to a dance, rhythm adds vitality to a garden. In landscape design, rhythm creates physical sensation. It may cause people to move quickly, slow down or even pause before continuing on again. By repetition of like forms or evenly-spaced points of emphasis, a rhythmic design is naturally expressed.

One of the most successful ways to incorporate an instant feeling of rhythm or movement into the garden is with a dry creek-bed. The cascading path of smooth river-rocks mimics the flowing sensation of water, adding energy to the setting. [Photo illustrates a water-pattern created by a narrow rill that disects a stone staircase.]

Using key design elements in various patterns, the garden designer can lead visitors through the landscape, giving the viewer visual cues. As Booth and Hiss (in Residential Landscape Architecture) write: “We tend to view various portions of a composition in sequence, often mentally collecting them to form patterns.”

At Ahrends Nursery in Dusseldorf, landscape architect Anja Maubach alternates ordinary paving stones with square plantings of hardy succulents - the resulting pattern is rhythmic and alluring (photo from Country Gardens 2000 by Nicola Browne)

I began looking at the pattern-rhythm concept to see how various designers drew on this principle. Repetition, alteration, inversion and gradation all lend visual rhythm to the landscape. Anja Maubach, a German landscape designer, uses repeating squares of densely-planted sedums interspersed with concrete pavers to jazz up an otherwise generic path. Anja cites Pattern Language, a classic architect’s text, as her influence.

In this 1977 book, the authors Christopher Alexander, Sara Ishikawa, Murray Silverstein (with Max Jacobson, Ingrid Fiksdahl-King and Shlomo Angel) describe more than 250 “patterns” as solutions to design problems. The patterns follow design principles, but are also deeply rooted in nature and human history, which makes them resonate with us. (Perhaps that’s what the term ‘good design’ is all about.)

Pattern No. 247 - Paving with Cracks Between the Stones - talks about the need to “walk from stone to stone and feel the earth directly underfoot.” The authors continue, “As time goes by, the very age and history of all the moments on that path are almost recorded in its slight unevenness.”

Essentially, the spaces make a static path come alive - and have a certain rhythm.

Lines of lavender play on graphic qualities found in commercial herb farms (from Natural Landscapes, 1998)

English garden designer John Brookes incorporated rhythm into a client’s French garden with the use of just one plant: lavender. He drew inspiration from the neatly clipped rows of lavender in nearby farms. “Lines of lavender play on the graphic qualities found in commercial cultivation of the herb,” Brookes explains in his book Natural Landscapes.” And the garden deliberately emphasizes the shapes and textures of this tough region.”

Rhythm is essential as a design principle. It’s the organic motion, the fluid character that every garden needs to come to life for those who enjoy it.

Southern California Garden Writers members convene - 150-feet in the air above Orange County’s Great Park; from left: horticulturist Heike Franzen, me, author and houseplant expert Julie Bawden-Davis, and freelance writer Katie Bloome.

Gather together 30 gardening communicators for a day of networking and idea-sharing and you are guaranteed to have fun, inspiration and even a little controversy as opinions and ideas are swapped. The date: Sunday, November 11th. The venue: Roger’s Gardens, one of the country’s preeminent independent retail nurseries located in the coastal town of Corona del Mar.

Before we settled down to hear from three fascinating speakers, the group of writers, television and radio personalities, photographers, plant experts and horticultural vendors convened at Orange County’s Great Park in nearby Irvine. According to horticultural consultant Tom Larson, who is an advisor to this mammoth, 20-to-30 year endeavor, the Great Park is large enough to encompass Central Park, Balboa Park and Golden Gate Park in its acreage.

The 72-foot diameter balloon took us several hundred feet in the air and provided visibility of 20 miles.

Yes, it is a decommissioned military base, but once we boarded the bright orange hot-air balloon and ascended several hundred feet above the barren scene, we started to “get” the vision of the Irvine city fathers, environmental pioneers and community activists determined to create something very special in the midst of overdeveloped Southern California.

This ambitious endeavor will include a mind-boggling array of horticulture, sustainable agriculture and native habitat in a several hundred acre “park.” Where Marine jets once took off and landed (the base was built in 1942 on the site of what once served as growing fields for popular California crops) will soon be a living, “green” community hub. 

New York-based landscape architect Ken Smith’smaster plan includes a 2.5-mile tree-lined “canyon,” a lake and botanical garden, picnic lawns, amphitheatre, sports parks and wildlife corridor for migratory terrestrial and aviary animals. A conservatory “bridge” will span the lake; 150,000 native trees are being grown for planting; conservation and sustainable design practices are in place. Eighty percent of the demolished building material (steel, aluminum, wire, sheet-rock, concrete from the military base) will be recycled. Whew.

Nan Sterman, San Diego-based gardening personality, author and designer, and national GWA Director-extraordinaire planned this amazing day for all of us.

Planners are bringing together plants and people, providing urban land for small-scale organic farmers, growing landscaping plants that support wildlife and nurture people, and recycling water for irrigation. It is truly amazing that voters several years ago rejected a proposal for yet another international airport in favor of reclaiming this land for community use. If you come to Orange County, you need to make time to visit - and return (as this will be one of those multi-decade endeavors). The investment is for future generations and I find that exciting and inspiring.

In the interim, while development is underway, the Great Park planners are turning over several acres of land to two food bank operations, Community Action Partnership and Second Harvest, with the goal of growing nutritious, wholesome produce for the community’s homeless population and others facing hunger.

Back at Roger’s we settled in for “News You Can Use: Industry & Environmental Trends for Garden Writers - All About Plants, Gardens and Garden Communications.” Three Southern California experts shared their insights:

News from the Wholesale/Grower World: Plant trends with Nicholas Staddon (director of New Plant Introductions, Monrovia Growers)

Nicholas highlighted the following trends:

Plant “Branding”

Native plants (with a region-by-region focus)

Awareness of Invasives (see Carl Bell, below)

Waterwise plant choices

Tropicals-and-arid plants together

Minimalist gardening (doing more with less)

News for the Environment: Invasive Plants in Southern California with Carl Bell (UC Cooperative Extension)

Claiming, “there are no good weeds; there are no bad plants,” Carl highlighted the forthcoming “PlantRight”initiative that will be rolled out statewide in February 2008. The program will encourage consumers and retail nurseries to “Keep Invasive Plants In Check,” and voluntarily stop the sale and planting of known invasives.

One of the smartest features of the program is to suggest to home gardeners non-invasive plant alternatives to the garden thugs. Carl offered these definitions to guide the discussion of “what is an invasive plant?”

EXOTIC:

to a gardener, it means “foreign, tropical, interesting, cool”

to an environmentalist, it means a “bad, foreign, invasive pest”

to a regulatory agency, it means “a foreign organism that is likely a pest (although other governmental buzzwords include “alien” and “noxious,” a legal term that requires eradication, containment or control.

NATIVE/INDIGENOUS:

“Evolved in that location, present without any influence of humans (in California environmental organizations like the California Native Plant Society, Audubon, Sierra Club, “native” is regarded as specific to a region or area of the state)

NON-NATIVE/NON-INDIGENOUS:

“Introduced by humans, either accidentally or intentionally”

NATURALIZED:

A non-native plant that has established a stable, reproducing population in an area after introduction. Naturalized plants do not necessarily invade other areas. This term is used essentially the same way for gardens or natural habitats.

INVASIVE:

A naturalized plant that is spreading out from the location where it was introduced. Rapid or slow, its spread can be aided by disturbance or not, and it can have mild to drastic impacts on the native flora/fauna.

WEED:
Any plant that is objectionable or interferes with the activities or welfare of humans; invasive plants are a special category of weeds.

Other resources:

The St. Louis Declaration on invasive plant species

Cal-HIP (California Horticultural Invasives Program)

An awesome centerpiece of “Retro Succulents” from EuroAmerican Propagators — illustrates one HOT plant trend

News from the Retail Nursery World: What’s Hot and What’s Not in Home Gardening with Ron Vanderhoff (Nursery manager, Roger’s Gardens):

Ron is a veteran nurseryman and garden writer whose popular weekly column “The Coastal Gardener” appears in Orange County’s Daily Pilot newspaper. Here is his inside-scoop on the ins-and-outs of gardening trends:

NOT: “Gardening”  vs. HOT: “Gardens”

According to Ron, yesterday’s definition of a garden was a place where one would “grow” and “care for” plants; a place of enjoyment and work (emphasis on “work” as a verb)

While today’s definition of a garden is a “living space” that’s also a place of enjoyment and relaxation (emphasis on “relaxation” as an experience)

Other HOT trends:

Inside-Out: The walls of our homes have come down; homeowners are now “exterior design” experts; plants only account for one-third of spending on outdoor living